Blurb: The great outdoors isn’t so great for Sydney It-Girl Lien Hong. It’s too dark, too quiet, and there are spiders in the toilet of the cabin she is sharing with friends on the way to a New South Wales music festival. To make matters worse, she’s been separated from her companions and taken a bad fall.
With a storm approaching, her rescue comes in the form of a striking wilderness ranger named Claudia Sokolov, whose isolated cabin, soulful voice and collection of guitars bely a complicated history. While they wait out the weather, the women find an undeniable connection—one that puts them both on new trajectories that last long after the storm has cleared.
*I was provided with a copy by Interlude Press in return for an honest review*
Add on Goodreads
Purchase at: Interlude Press / Amazon / Smashwords / Barnes and Noble / iTunes / Book Depository / Kobo / IndieBound
5 Stars
I have been so eagerly waiting for this novel for months. Henson’s previous novel, Into the Blue is a deep favorite of mine – both because she made me fall for the characters so easily, but because I am absolutely in love with her craft.
Storm Season is a gorgeous work of art. Here we have a plot that could easily devolve into a series of cliché tropes. Rather, Henson takes these themes and tropes: women who seem to be opposites at first glance; stranded in a cabin during a storm; the transformative power of particular human interactions, and makes them unique and believable and fresh.
Henson’s writing style is deceptively simple. She often employs short sentences, descriptions in what could easily be staccato or disjointed moment. Rather, she uses this skillfully to draw the reader in. It has the effect of stripping a layer of separation between the story and the reader. We are drawn into an intimacy with the story, whether it’s a description of the Australian bush or of two women falling for each other.
When we meet them, Claudie and Lien appear to be complete opposites. Henson takes us through discovering them, and them discovering themselves and each other, skillfully enough that we slide into the realization that these women are similar in so many ways; that circumstance (and Henson’s craft) foiled them in particular ways when we met them, but that at their hearts, they are beautifully compatible.
I don’t want to spoil the turn the story takes in it’s second half, but know that it is executed perfectly. By this point in the story, Henson has taken us beyond simply longing for Claudie and Lien to be together. We’re rooting for them as individuals who are growing just as much.
As with Henson’s previous novel, this book has a lovely diverse cast that is obviously thoughtfully included for the sake of story. These clearly would be Lien and Claudie’s people. This is a representation of a slice of life, and it easily, without fanfare, reflects diversity in life. Love it.
Also, someone please donate money to my “I must go to Australia right now”, fund. Because a lifelong wish because an intense, burning need while reading this book. I fell in love with the landscape and people in this book. One day, hopefully, I’ll get to do it in real life. For now, I’ll revisit this book over and over, savoring every word.
Jude Sierra 